It also had onboard effects that had to be deployed in a compromised fashion in multitimbral mode. The Wavestation was an ambitious wave sequencing instrument that suffered from the limited processing power available at the time of its inception, which meant that although it was technically multitimbral, it really only had enough polyphony to be used as a single instrument if complex sounds were being used. Both synths come with their original factory sounds, and of course you can store as many of your own sounds as you like, as well as creating new Legacy Cell patches.įor me, the third instrument in the collection is the real prize - the much-loved Korg Wavestation. Legacy Cell can create more complex layered and/or effected sounds using these analogue models either singly, in pairs or by using one of each. If I had to compare it to anything, I'd say the poly MS20 sounded pretty close to an old Oberheim. One surprising result of this added capability is that the MS20 software becomes a real monster in polyphonic mode. The only departure from authenticity is that both instruments may be used polyphonically with up to 32 voices (or 16 voices in unison), though you can restrict the voice count to lower numbers if you wish. This is more processor-intensive than the alternative method of modelling the approximate behaviour of blocks of circuitry, but it does get a lot closer to the original sound. I'm told that Legacy came about because a group of Korg designers had a fascination for creating software models of their favourite old instruments, which is probably why the end result is so authentic Korg have used what they call Component Modelling Technology to recreate the sound and behaviour of the original instruments by modelling individual components. Two of the included synths model old analogue keyboards, the MS20 monosynth and the Korg Polysix, a fairly simple but rich-sounding six-voice analogue machine with an onboard arpeggiator. All the effects are fully editable and there's an impressive bank of Cell presets that produce very rich, analogue polysynth-style sounds. In all, 19 different effects types are available and include all the usual modulation effects, delay and reverb, plus a few slightly quirkier offerings, with 127 onboard factory presets based on these effects. Legacy comprises three instruments plus Legacy Cell, a kind of super virtual instrument that can be made by using one or two synths plus both insert and master effects. When it's finished, the Legacy Collection will be useable as 'stand-alone' applications, or as Direct X, VST or Audio Units plug-ins, but only for computers running Mac OS X or Windows XP. This controller connects to the host computer via USB, though it doesn't have to be connected for the software to run. Perhaps one of the reasons for the intense interest in the Legacy Collection is that Korg are modelling their own vintage instruments, but a major contributing factor has to be the highly cute bundled hardware controller, which comprises an 84-percent 'scale model' of the Korg MS20 monosynth, complete with working keyboard, controls and patchbay. It wasn't finished as we went to press at the end of March, but we managed to get this sneak preview as the final touches were being applied.įew software synth bundles have created as much advance interest as Korg's Legacy Collection, and though it still wasn't ready to ship at the time of this preview, it was clearly very close and worked well enough for me to form a few impressions. Korg's Legacy Collection recreates some of their best-loved keyboards in software form.
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